The lecture performance expands the background of how Vishnu cursed Kalki, grounding it in a rich mythological framework. Through the curse, I trace a lineage of image-making throughout history, opening it in all scales and densities. 

I contour a new ontology of image, that requires inhabiting the image at both a planetary and personal scale. A genomic photoshop emerges and probes to think of molecular seepages, where the image becomes bodily at a genomic level. A need to inhabit an editing interface arises, where new definitions of embodiment and registration are marked as the image becomes the interface for furthering frameworks of othering and discrimination.